Home at Last: Short takes on Natalie Bergman, Dawn Richard

FLOOD Magazine just posted a round-up of the year’s best albums thus far, including a couple of blurbs from yours truly. Both albums I wrote about deal, in some form or fashion, with the concept of home: With Second Line, Dawn Richard refracts her New Orleans upbringing through the prism of individuality. And with Mercy (an impossibly good, utterly beguiling gospel record), Natalie Bergman copes with loss by longing for heaven. Both are worth your time and full attention. And by the way, my own ballot is available here.

At the Half: Top 10 albums of 2021 (so far)

The usual disclaimers apply: These rankings can and will change (though I’d be very surprised if my #1 and #2 looked any different come December). There’s still plenty that I haven’t heard, and a couple of these are still new enough that my assessment of them might change. But for now, if you’re looking for recommendations or just want to catch up…

  1. Allison Russell | Outside Child
  2. Natalie Bergman | Mercy
  3. Jon Batiste | WE ARE
  4. Tyler, The Creator | Call Me If You Get Lost
  5. Olivia Rodrigo | SOUR
  6. Valerie June | The Moon and Stars: Prescriptions for Dreamers
  7. Sons of Kemet | Black to the Future
  8. Nick Cave & Warren Ellis | Carnage
  9. Rhiannon Giddens with Francesco Turrisi | They’re Calling Me Home
  10. Blake Mills & Pino Palladino | Notes with Attachments